a more specific/extreme practice of the montage of attractions; the selections and the swaying are as always; more spectacular phenomena even associated with possible "soviet (visual)consumerism" -- the piling of rifles/cutleries/decors, the arrangement of hand/feet/faces, aren't they similar to the supermarket-scene described by Baudrillard?
Moores' documentaries are more or less the crude kind, to me, but crude in a very attention whoring way, you can't ignore, can't just overlook, crude but visceral...Bowling for Columbine is a film i will always remember
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