It almost felt wrong to have shot the story this beautifully. But I guess Barry Jenkins' "dream-like" approach is probably the only way to present this horrific part of the history.
太适合十月十一月份看的电影了它的光影和色彩是对金秋最衷心的赞颂和对寒冬最恳切的预言现在这个时候看这样的故事对我来说简直too close to home故乡的土地是毕业即失业的青年知识分子最避之不及的原罪和最大的灵感来源他与父辈有多疏远就与父辈有多相似结尾太好了转了一大圈后还是钻进父亲的枯井吊死在父亲的井绳一下子就想到最近和爸爸的通信一瞬间我的眼泪哇哇太real了
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