我特别能理解比尔默瑞饰演的这个父亲的痛苦为什么不管怎样年轻、美好、有趣的人一旦牵扯上儿女、工作这些因素以后就会变得不再风趣了呢Why aren't you funny anymore这句话由父亲向女儿提问意料之外又情理之中无数好玩的儿童统统长成了乏味的成年人水蜜桃一三四专区没有比这跟令人悲伤的了
有一个红月光:106.81.154.187
House as a kind of kinship/read and shade/whether the camera(director) having phallus/“the feminization of black gay men and the complex of racist, homophobic, misogynist, and classist constructions that belong to a larger hegemonies of oppression”/vogue dance/phantasmatic reality/justaposition of the “normal” scene and the ball
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